Product Description Allusions give us a marvelous literary shorthand, drawing on our collective knowledge of literature, mythology, and the Bible to help us describe people, places, feelings, and events. A miser is a Scrooge, a strong man is a Samson or a Hercules, a beautiful woman is a Venus or a modern-day Helen of Troy. We can suffer like Sisyphus or linger like the smile of the Cheshire Cat. Ranging from classical mythology to modern movies and TV shows, this new reference work explains the meanings of the allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rubens to Rambo. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, from a range of authors and sources, from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. Moreover, the dictionary is thematically structured, so that readers not only can look up Medea to find out who she was and how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo.
Customer Reviews:
References, NOT Allusions September 7, 2008 3 out of 3 found this review helpful
While this book has many interesting tidbits of information that may make their way into writing, they are most definitely not allusions. At best they are simply literary REFERENCES and therefore this book provides little beyond what you would find in a typical encyclopedia entry about the keyword. Who was Ahab, Frodo, Medusa, etc. Where is hell, olympus, or Narnia. What was manna and so on. Unfortunately, the examples follow the same pattern. Whereas an allusion is indirect and subtle, the examples in this book are direct and explicit references to the keywords (ie "He was crazy like Ahab," instead of something like a subtle quotation from Moby Dick suggesting the character of Ahab). I got this book mainly for the examples in order to see the different ways allusions have been used, but all the examples are simply examples of literary references, not allusions.
waking our language March 22, 2008 3 out of 4 found this review helpful
The day the Oxford Dictionary of Allusions arrived, I unwrapped it, poured a cup of coffee, and took it and my cup of coffee out to the patio where I opened it randomly. The first entry I saw was Worzel Gummidge. Now, I can use that. I am working on a character sketch of a locally known celeb of sorts, and have been searching for just the right word... the picture to put in the reader's mind. And there it is. Perfect. Never heard of it before. Another entry that caught my eye as I flipped through the pages was Mrs. Malaprop. I have been teased for years. "Turn off the cat and put out the light", I said once when the family was going out the door. Nobody ever told me I was making malapropisms. I love our language, but sometimes it gets stale, repetitious . We become lazy, use the same old expressions, and forget the countless colorful idioms that can dance in our imaginations. You cannot put this book down. You will find old favorite words you've forgotten and many new ones you may never have known. Your heart will be happier, your conversations more inspiring. I'm going to get another cup of coffee and go back to painting the Forth Bridge. If you want to know what that means, buy this book and look it up.
Limited October 20, 2002 8 out of 26 found this review helpful
The Oxford Dictionary of Allusions is limited in content. I would have preferred something more complete.
